Michaels Art and Craft Store

American artist Robert Gwathmey (1903-1988) was a leading member of the Social Realist movement that flourished from the 1930s through the 1950s. Like his fellow Social Realists, Gwathmey used his art to expose privilege and pretense, demand social justice, and call for major changes in the prevailing socioeconomic system. Gwathmey was an eighth-generation Virginian, and throughout his life his main artistic themes were race relations and his native South. He is perhaps best remembered as the first white American painter to depict African Americans in an unromanticized, respectful manner. Using a unique style that combined a deliberate two-dimensional flatness with deep and vivid colors, Gwathmey illuminated the inherent dignity of the tenant farmers and sharecroppers who were his subjects. As a lifelong activist against injustice, Gwathmey was kept under surveillance by the FBI for nearly thirty years. Using Gwathmey's FBI file, along with numerous interviews and archival records, Michael Kammen crafts a compelling portrait of an engaging American painter in the midst of dramatic social and political change. The publication of this book coincides with the first major retrospective of Gwathmey's work, which will open in September at the Butler Institute of American Art in Youngstown, Ohio. In November, the exhibition will move to the Museum of Fine Arts in St. Petersburg, Florida, and it will then travel to the Virginia Historical Society in Richmond, the Telfair Academy of Arts and Sciences in Augusta, Georgia, and the Museum of American Art at the Pennsylvania Academy of the Fine Arts in Philadelphia.

This volume is an illustrated anthology of 300 pieces surveying the work of Christopher Dresser, known as "the father of modern design." Like William Morris he believed that beautiful design should be available to everyone, unlike Morris, he thought that mass production was the best way to achieve that, and this dichotomy neatly represents his place as a bridge between the Arts & Crafts movement and industrial design. This book looks at all aspects of Dresser's career including wallpaper design, a wide variety of metal-work (most notably tableware and teapots), textile design, pottery, and glassware. His fascination with Japanese art and design gave his metalwork in particular a clean, minimalist look that seems to anticipate much of modern design from Bauhaus to Michael Graves. Well known and respected in his lifetime, his reputation suffered in the years after his death, and it is only in the last few decades that interest in his work has been revived. As a result, his pieces can be found in the collections of art museums nationwide and continue to sell well at auction. A long overdue look at one of design's most influential figures, this book will be a welcome addition to any design lover's library.

Free Art license - The Free Art license is the English language version of the License Art Libre, a French copyleft license for works of art. It represents an attempt to craft a Free license in the spirit of the GNU General Public License adapted for work of art.

Middlesbrough Institute of Modern Art - The Middlesbrough Institute of Modern Art or mima is a flagship art gallery project based in the North of England. The completed gallery, a venue for modern art and craft from 1900 onwards, is due to open in 2006.

Schein-Joseph International Museum of Ceramic Art - The Schein-Joseph International Museum of Ceramic Art at Alfred University in Alfred, New York houses nearly 8,000 ceramic and glass objects. Its collection includes ancient ceramics of anthropological interest, examples of historical and contemporary ceramic art and craft, and advanced ceramics created utilizing advanced ceramic engineering technology.

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